Anna Caterina Antonacci
Established as one of the finest sopranos of her time, Anna Caterina won prestigious prizes at competitions like the Voci Verdiane Callas and Pavarotti contests. To honor her accomplishments, she was awarded the 'Chevalier de la l'Ordre national of the Legion d'Honneur' (the highest distinction a individual can attain) by the French Republic. Era la Notte was her debut album for Naive and it received much praise. Her next album called L'Alba separadilla luce of the Ombra Wigmore Live featuring Tosti Ciela and Hahn with Donald Sulzen has been equally highly acclaimed. Anna Caterina has been elected as one of the Accademici Effettivi in 2021 by the distinguished panellists at the General Assembly of the Academicians of Santa Cecilia. Anna Caterina is currently performing the role of Madame de Croissy from Poulenc's Dialogues des Carmelites as part of the Emma Dante production at Teatro dell'Opera di Roma. She will return to the part later on during the season with the Bayerische Staatsoper. Anna Caterina Antonacci comes from an Italian family of sopranos. Antonacci is well-known for her bel-canto performances and Baroque. She sang as mezzo-soprano, focusing on Rossini's canon. Anna Caterina Antonacci is the height of 62. Anna Caterina Antonacci height, body weight and measurements will be updated shortly. The actress isn't dating anyone. She doesn't have a boyfriend. We have no details about the relationship she has had in the past. Accordant to our Database She is a single parent. Her net worth has increased dramatically between 2022 and 2023. How much is Anna Antonacci's net worth today when she's aged 62? Anna Caterina Antonacci earns most part of her earnings from being successful. Anna Caterina Antonacci, born 5 April 1961, in Italy, is an soprano renowned for her performances in her role in the Baroque and the Bel Canto repertories. She was for a long time a Rossini-canon mezzo-soprano. Antonacci who was educated in Bologna made her Arezzo debut in 1986. She was profiled at length in the New York Times in March 2012.






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